河南师范大学学报(哲学社会科学版)

海德格尔诗学思想是在现时代的历史状况下产生的,也是与其整体的哲学思想一致的。海德格尔在现代语言转向的大背景下从语言的本源性地位出发,认为艺术的本质是诗。他对美学的历史进行了彻底的反思与批判,为避免重新落入传统美学的窠臼,他以诗学代替美学,把诗的本质建立在语言(存在)的基础上,认为此在的根基处就是“诗意的”,栖居在本源的近处。而艺术家、诗人先于众人而看到了神的光芒,为终有一死的同类寻找转向源头的道路。

On the background of the linguistic turn, the ontological status of language is more and more emphasized by the modern philosophers. Martin heidegger is without exception. The article expounds Heidegger's thought of poetry from the four respects; the essence of art, the essence of poem, poets of one kind and poets of another kind. In fact, Heidegger tries to find a poetic existential way for dasein and maintains that poets play an important role in the process.